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12-part series that explores the changing production model by which the old Tabacalera factory became the current International Cultural Centre.
This collective exhibition, curated by Juan Canela, questions the role of magic, ritual and the irrational in relation to nature in the Anthropocene period.
Adrià Julià uses a collection of photographs of Romanesque churches, the circulation and traffic of works, of the spectacularisation of conflict and landscape as a foundation to recover the marginal notes that allow us to analyse the coincidences and frictions between historical accounts and media narratives.
This installation by Pernille With Madsen is made according to the three electric sockets existing in the exhibition area.