In his practice as a historian of postcolonial reimagining, Naeem Mohaiemen uses text, photography, and films to explore failed utopias within the historical narratives of the international left. His research looks at borders, wars, and belonging within and outside postcolonial nation projects. Since 2006, he has been directing a film series entitled The Young Man Was, in which he examines the failures of radical leftist movements of the 1970s. The series was produced using sequences from existing films, archival footage, television reports, interviews, and audio recordings. The first part (United Red Army, 2011) examines the 1977 hijacking of Japan Airlines Flight 472 by the Japanese Red Army; the second (Afsan’s Long Day, 2014) addresses the circulation of ideologies from the perspective of a young historian (Afsan Chowdhury, whose diary entry gives the series its name) following the events of the Bangladesh Liberation War of 1971, juxtaposed with those of the German Autumn associated with the Rote Armee Fraktion (1977); and part three (Last Man in Dhaka Central, 2015) traces the journey of Peter Custers, a Dutch journalist who was jailed in Bangladesh in 1975, accused of belonging to an underground socialist group.